Within the span of a single week, I found myself in two wildly different D&D sessions. In one, we didn’t touch our dice for two hours. In the other, we were rolling so often I joked we might trigger a speed trap. Both sessions were enjoyable. Both were valid. The question is though, when to roll the dice.
Session One: We had just returned to town. No fights, no skill checks, no saving throws. Just conversations. We were talking to NPCs, making plans, and catching up on the narrative. It felt organic, like real roleplay. But as much as I loved immersing myself in my character’s voice and decisions, something itched at me. My character is a charismatic, silver-tongued type. I am not.
It raised a question: When roleplay takes center stage, how do we reflect a character’s stats, especially when the player isn’t feeling on top of their game? Should we let their off-night derail the character’s abilities, or should we let the dice speak for them?
Session Two: A fast-paced adventure full of action, puzzles, and panicked problem-solving. The dice were out constantly. At one point, our strongest character rolled three times just to open a stuck door. The mechanical fidelity was high, but the narrative started to stutter.
Here’s the tension: Do we honor the mechanics at the cost of momentum, or let the story smooth over the bumps?
If you’re curious about what the official rules suggest, here’s a quick reference to the D&D Basic Rules — ability & skill checks.
D&D isn’t just about telling stories, it’s about telling your character’s story. When players are left to speak purely in their own voice, we sometimes blur the line between the player’s skill and the character’s. A shy or tired player might underperform their eloquent bard. A boisterous player might overshadow their quiet wizard.
Rolling a die can level the playing field. It lets a player say, “My character makes a rousing speech” and trust that their +6 Charisma will carry some of that weight. It’s a bridge between imagination and mechanics.
At the same time, not every line of dialogue needs a roll. A great conversation should flow naturally, but if the outcome matters? If there’s risk, reward, or tension? That’s when to roll the dice.
If you’re looking for a clear breakdown of how each skill works, check out the Wargamer’s guide to D&D 5e skills.
We all know the pain of failing a simple task. It’s funny the first time. The second time, less so. The third time? It might just kill the mood.
Rolling for the sake of rolling, especially for mundane tasks with little consequence, can grind the game to a halt. It’s like pausing a film every two minutes to check if the next line of dialogue is allowed.
So why do we do it? Because the rules say so? Because the DM didn’t set a DC low enough? Because it’s habit?
Sometimes, we need to step back and ask: What does this roll add to the scene? If it adds drama, tension, surprise, then that is when to roll the dice. If it adds nothing but delay, maybe skip it.
To explore how ability checks are formally handled, you might enjoy the 5e System Reference: Ability Checks.
Here’s what I’ve found works best:
Use rolls to resolve uncertainty. If there’s real risk or a story hinge point, roll.
Let roleplay flow unless the outcome is in question. Encourage players to act in character, but give them the mechanical safety net when needed.
Auto-success on trivial actions. Your rogue doesn’t need to roll to open a basic, unlocked door. Save the drama for when it counts.
Reward effort. A well-delivered monologue might earn advantage on a persuasion roll. A quiet player asking for help might get a re-roll or bonus. Support the player and the character.
Ultimately, it comes down to intent. Dice should amplify drama, not distract from it.
D&D is a game of choices, chance, and character. Sometimes the dice tell a better story than we could script. Other times, they just get in the way.
I don’t need to roll every five minutes. But I do need the option to roll when it counts, not just to succeed or fail, but to remind myself I’m playing someone else. And sometimes, that’s the best story of all.